Saturday, 27 September 2008, 20:30
Martin John Callanan is Okay will be shown at encoding_experience/ Plimsoll Gallery, University of Tasmania, Australia. 10 October - 31 October 2008
encoding_experience/ is the first of a series of exhibitions inspired by the ways in which artists are embracing critical, hands on interventive strategies towards the understanding of, and experimentation with media. The artists in the show open up issues of privacy, piracy and control, paradigms that are deeply embedded into technology and the way technology is designed. Most of the artists favour a collaborative, socio-centric approach to their work. They have an agenda about thinking through questions such as; Where does the technology come from? What is the real use of a computer? What are the social issues around regular access to domestic machines i.e. game consoles, home stereos and digital cameras. How do we use and question systems that tirelessly reproduce and augment environments, image and sound?
Actively engaging with conceptual concerns, DaDa-esque notions of performance, hacking and intellectual property; encoding_experience presents an insight into how electronic media and craft knowledge operates in current art practice, not only in terms of its functionality, but also in regards to artists who have a critical approach towards the politics, aesthetics and ecconomies coded into these systems.
Saturday, 13 September 2008, 12:08
Just received in the post: the publication from exhibition last year in Germany. The premiere of Location of I.

ISBN: 978-3-9812208-0-3
Friday, 5 September 2008, 16:06
Sonification of You will be installed at Netaudio London 2008.
Netaudio’08 will take place from 22nd to 25th October 2008 at Shunt Lounge, London SE1. It will celebrate the creative output of networked musicians and online communities with talks, workshops, showcases and performances.
Netaudio’08 will play host to a broad range of live musical acts all the way from well established musicians through to undiscovered new talent – the only criteria is that they sound good and that they engage via the medium of the Internet. Musically Netaudio’08 will provide a programme spanning genres and cultural boundaries and embracing the widest possible selection of sounds humming through the Internet.
Within the conference side of the festival, Netaudio’08 will explore the creative practice and merit of digital networking tools. Workshops will share knowledge about music production and digital distribution whilst presentations will take a lead in the discussion of altered user behavior in the networked society – both aiming to engage the thought provoking process of music production, distribution and consumption in an age of networked communication.
Friday, 29 August 2008, 18:41
Ben Worthy at UCL’s Constitution Unit just sent me the transcript of a speech about the UK Freedom of information Act Lord Chancellor Charles Falconer gave at the British Academy in February 2006, which makes reference to my Letters:
We have seen a vast number of requests to find out information about issues which really do add value to people’s lives, or to the sum of human knowledge, or to research. And making a positive contribution to the quality, accuracy and completeness of public debate. This is exactly why we brought in this legislation.
However, it is also true, inevitably, that this culture is being undermined by requests under the Act which arguably do not impact so positively - like what a central government department spends on toilet paper or make-up, or whether written proof can be provided under the Act of a Minister’s existence.
Responsible users of the Act and supporters of the legislation would surely agree that these sorts of requests are frivolous, and sometimes even vexatious, and that spending time answering them is not how public resources ought to be used.
The Information Commissioner has made his position abundantly clear. He has said that claims that are ‘manifestly unreasonable’ should be resisted under section 14 of the Act - claims which would serve no public good or impose substantial burdens on the financial and human resources of public authorities.
My department will be issuing guidance complementing that from the Information Commissioner, to help public authorities handle these types of requests.
I don’t believe this is a concern in terms of requests from the academic community - but it is a serious issue for the operation of Freedom of Information as a whole.
Friday, 29 August 2008, 11:47

Text Trends has been stored into the Rhizome ArtBase
Sunday, 24 August 2008, 13:26
Location of I has now been live for 18 months; updating every minute of everyday.
The original devices have faded and died. Being replaced by a new smartphone: less than half the thickness of the original, also has a built-in GPS receiver; which was only a promise last year.
Monday, 18 August 2008, 14:13

Eleven will be screened at Urban Screens Melbourne, 6-8 October 2008
The event will promote a lateral trans-disciplinary approach to exploring the growing appearance of moving images in urban space and the global transformation of public culture in the context of large new multi media precincts such as Federation Square and various networked forms of urban screens. It will build on the successful events held in Amsterdam in 2005 and Manchester in 2007 and will be the first Urban Screens held in the Asia-Pacific region.
Through an integrated program of keynote lectures, panel sessions, workshops, curated screenings and multimedia projects, it will bring together leading Australian and international artists and curators, architects and urban planners, screen operators and content providers, technology manufacturers, software designers and public intellectuals.
Saturday, 16 August 2008, 22:02

The residency last year in Latvia was part of At Home In Europe, the 185 page publication and 2 DVD is now out. Features text about all four artist’s work.
Includes my article An Ethnology of Solitude.
Thursday, 31 July 2008, 20:21
I have joined Rhiz.eu:
An intercultural meeting place developed to give its members an easy and fun environment for communicating and collaborating with each other. Rhiz.eu was created by the European Cultural Foundation (ECF).
Wednesday, 30 July 2008, 22:02

I am Still Alive will be at:
Outside Over There, Fourth Annual In the Country of Last Things exhibition
27 September - 22 November 2008, Gallery Aferro, 73 Market Street, Newark, NJ 07102
Wednesday, 30 July 2008, 0:52
I Wanted To See All the News From Today, currently at:
FILE 2008 Electronic Language International Festival happens this August at the Fiesp Cultural Center. FILE, the major art and technology festival in Brazil and Latin America, as well as one of the most renowned events in the world in this area, for nine years has inserted the country in the global context of art and technology, or media art, performing a compilation of the artistic productions in the fields of electronic and digital arts, and working as an indicator of those productions’ plurality.
Given the diversity of digital culture, FILE is an event that nests several festivals, which occur simultaneously and this year include: electronic art festival, games festival, digital movies festival, documental film festival, electronic music festival, innovations festival, electronic graffiti festival. Moreover, FILE offers an international symposium, an archive with more than 2,000 works and a laboratory for the production and development of new works, FILE Labo.
Tuesday, 24 June 2008, 12:31

Eleven will be screened tonight at the 30th Moscow International Film Festival
Friday, 30 May 2008, 16:40

I Wanted to See All of the News From Today got picked up and spread all around the blog-sphere this week:
VVORK
Coudal
Chickengang
Quipsologies
Fluctuat
Dmax
…and numerous others
[also on an internal private blog at a company called Zumkuckuck]
Thursday, 1 May 2008, 14:14
Logan Turner included Location of I in The Watchful Eye:
This collection of art works focuses on the theme of surveillance/being watched. More and more these days, our governments know where we are, what we’re doing, and sometimes even what we’re planning to do. As curator, I feel that being under nearly constant watch is a violation of our right to privacy, and therefore I have brought together these art works to show both the irony of and scariness of being under a microscope.
Thursday, 1 May 2008, 14:12
Natsumi Oba, included Location of I in Seeking for another space
Ever since Internet has been expanded, people have started identifying themselves in this virtual world. They have created another social space in order for these identities to interact. The artists in this exhibition take elements of the physical world that users can relate to as real space, recreating the real space on the web, which is all virtual after all.
Wednesday, 23 April 2008, 13:22
second review for Text Trends at Infosthetics
Wednesday, 23 April 2008, 11:52

Greg at Serial Consign has written a review of my new work Text Trends
… In experiencing the piece, the viewer sits idly and watches animations plot out the ebb and flow (or lack thereof) of a series of search terms over the last four years. This all plays out matter-of-factly with all the passion of a market index or a readerboard… In viewing this piece, I found that it invoked a bit of anxiety and I felt a little helpless… It is not too often that you come across a data-based project that makes you step back and think about how you qualify and evaluate visualization. More importantly Text Trends abstracts the casual manner in which we receive, scan and process information and language on a daily basis.
Sunday, 20 April 2008, 16:17

On 1 January 2008, letters were posted to companies who’s products were present at my London residence. The letters, addressed to the chief executive, stated, “Your products are of use“. Replies, and full list of companies, recorded here.
Wednesday, 9 April 2008, 17:41
I Wanted to See All of the News From Today included in Classifiable?
instead of creating an exhibit of works, which falls under a specific category; i did something. Unsure of how the content of these works’ are related to each other; they are grouped together by Appropriation. Within all these projects elements are borrowed from other sources to create a new work.The borrowed elements may include images, forms or styles from art history or from popular culture, or materials and techniques from non-art contexts.Even though undefinable, they stand on their own as art work.
Wednesday, 2 April 2008, 19:09
People used what they called the internet because they hated being close together and they were too scared of being alone.
Wednesday, 2 April 2008, 18:46
Editted by Martin, 3rd Effect #3 is now online.
Vanderbilt envisioned the use of archives as an exploration rather than the routine selection of illustrations to accompany prescribed arguments. To encourage an open-ended, imaginative use of pictures, Vanderbilt worked out a long-term habit of creating combinations of images, usually in pairs, that were unrelated to each other by the usual archival categories, such as photographer, time period, geographic location, genre, and subject matter. Escaping the regulation of these controlled vocabularies, the pairings would reveal an unexpected line of interpretation and lead to larger associative patterns of imagery and ideas. He later used these picture combinations to make unique table-top “exhibitions” and have conversations with like-minded visual researchers.
Sunday, 30 March 2008, 13:19

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This blog was originally created with support from At Home in Europe, to document residency time at Riga Centre for New Media Culture RIXC, Latvia. Full details here.
© 2007-08 Martin John Callanan, All Rights Reserved.
